Rebel is an extraordinary take on the seminal police drama that examines the unique and conflicted relationship officers of color have with their jobs – at a time when police forces are rife with brutality and misconduct. Oakland police officer, Rebecca "Rebel" Cole, has always excelled by playing by the rules. She has always known that she must be better and smarter on the job because she is both black and female. After her brother is slain by police, Rebel soon becomes disillusioned with the system and is forced to take matters into her own hands and become a private investigator and a champion for her community. Caught between family loyalty and the fraternity in blue, Rebel's actions set in motion a cause-and-effect crisis that can't be undone.
Runtime: 60 minutes
Rebel - Rebel Without a Cause - Netflix
Rebel Without a Cause is a 1955 American drama film about emotionally confused suburban, middle-class teenagers. Filmed in the recently introduced CinemaScope format and directed by Nicholas Ray, it offered both social commentary and an alternative to previous films depicting delinquents in urban slum environments. The film stars James Dean, Sal Mineo and Natalie Wood. The film was a groundbreaking attempt to portray the moral decay of American youth, critique parental style, and explore the differences and conflicts between generations. The title was adopted from psychiatrist Robert M. Lindner's 1944 book, Rebel Without a Cause: The Hypnoanalysis of a Criminal Psychopath. The film, however, does not make any references to Lindner's book in any way. Warner Bros. released the film on October 27, 1955. Over the years, the film has achieved landmark status for the acting of cultural icon James Dean, fresh from his Oscar nominated role in East of Eden and who died before the film's release, in his most celebrated role. This was the only film during Dean's lifetime in which he received top billing. In 1990, Rebel Without a Cause was added to the Library of Congress's National Film Registry as being deemed “culturally, historically, and aesthetically significant”.
Rebel - Production - Netflix
Warner Brothers had bought the rights to Lindner's book, intending to use the title for a film. Attempts to create a film version in the late 1940s eventually ended without a film or even a full script being produced. When Marlon Brando did a five-minute screen test for the studio in 1947, he was given fragments of one of the partial scripts. However, Brando was not auditioning for Rebel Without a Cause, and there was no offer of any part made by the studio. The film, as it later appeared, was the result of a totally new script written in the 1950s that had nothing to do with the Brando test. The screen test is included on a 2006 special edition DVD of the 1951 film A Streetcar Named Desire. According to a biography of Natalie Wood, she almost did not get the role of Judy because Nicholas Ray thought that she did not fit the role of the wild teen character. While on a night out with friends, she got into a car accident. Upon hearing this, Ray rushed to the hospital. While in delirium, Wood overheard the doctor murmuring and calling her a “goddamn juvenile delinquent”; she soon yelled to Ray, “Did you hear what he called me, Nick?! He called me a goddamn juvenile delinquent! Now do I get the part?!” Dawson High School, the school in the film, was actually Santa Monica High School, located in Santa Monica, California. Exterior scenes at the abandoned mansion to which the characters retreat were filmed at the William O. Jenkins House, previously used in the film Sunset Boulevard (1950). It was demolished just two years after filming. Irving Shulman, who adapted Nicholas Ray's initial film story into the screenplay, had considered changing the name of James Dean's character to Herman Deville, according to Jurgen Muller's “Movies of the '50s”. He had also originally written a number of scenes that were shot and later cut from the final version of the film. According to an AFI interview with Stewart Stern, with whom Shulman worked on the screenplay, one of the scenes was thought to be too emotionally provocative to be included in the final print of the film. It portrayed the character of Jim Stark inebriated to the point of belligerence screaming at a car in the parking lot, “It's a little jeep jeep! Little jeep, jeep!” The scene was considered unproductive to the story's progression by head editor William H. Ziegler and ultimately ended up on the cutting room floor. In 2006, members of the Lincoln Film Society petitioned to have the scene printed and archived for historical preservation. The film was in production from March 28 to May 25, 1955. When production began, Warner Bros. considered it a B-movie project, and Ray used black and white film stock. When Jack L. Warner realized James Dean was a rising star and a hot property, filming was switched to color stock, and many scenes had to be reshot in color. It was shot in the widescreen CinemaScope format, which had been introduced two years previously. With its densely expressive images, the film has been called a “landmark ... a quantum leap forward in the artistic and technical evolution of a format.” The 1949 Mercury Coupe James Dean drove in the movie is part of the permanent collection at the National Automobile Museum in Reno, Nevada.
Rebel - References - Netflix